Furthermore, brand new narrator’s partner are significantly associated with the fresh new river: «Derriere la porte l’homme que raime se tient

Furthermore, brand new narrator’s partner are significantly associated with the fresh new river: «Derriere la porte l’homme que raime se tient

Immediately afterwards, the latest narrator appear upon various other photographs, one that’s already familiar into the reader because it possess come put, the newest images one to their partner got of connection over the Adour

(14.) Come across Los angeles Chambre claire: «Toute photo est united nations certificat de visibility. Ce certificat est le gene nouveau los cuales kid invention an effective introduit dans la famille des photographs» (135).

You to definitely symmetry marks House Chagrin indelibly, therefore the part where they hinges ‘s the river itself. Where angle, it is the lake hence promises the remainder of Cosnay’s surroundings, developed both practically and you can figuratively. Since narrator tells the storyline out of Bram van Velde, such as, the fresh situations and you will stories she brings need the invest a great chronology your lake certifies, compliment of metaphor. More over, from inside the contemplating the new lake, the newest narrator becomes pretty sure off a larger existential lesson, one which could have appeared noticeable from the beginning, but whose truth is thus trivially obvious so it demands verification within a deeper peak: «Los angeles vie passe en effet» (62). This new river recognizes all the narrator’s body gestures, and you can serves as a good mute experience so you can their activities and her advice. They notices her both because the she serves so that as she refuses to do something: «Je viens bien au coin des boulevards Alsace-Lorraine mais aussi Jean-Jaures, non loin de- l’Adour mais aussi low loin de chez moi. J’ai jete les photo prises par l’homme los cuales j’aime, je myself suis allongee, victime de- paludisme va pouvoir-etre, de- tremblements nouveaux, je me personally suis allongee dans le soleil et celle-ci regardait l’Adour, j’y suis, c’est le minute. Jamais encore» (56).

In the present lifetime of the woman story, Cosnay says to out of her very own inquiry towards the that rules and its own historic situations:

Although the previous few evolves in the modern, while the latter is actually confined for the early in the day, Bram and Marthe have a great offer a whole lot more story tissue with the the skeleton than just perform the narrator as well as the guy she wants

The fresh chagrin one to Cosnay invokes in her study of for the past is actually abundantly echoed in the modern, and you will somewhat when you look at the a fact understood just as the «Pierre Meters.» The fresh new narrator states your given that a pal, and means him as a man whose worry proved, at some point, debilitating. The first occasion they are mentioned regarding the text, Cosnay bets toward understatement and you will benefit of term to help you show the dimensions of their suffering: «Ce twenty-seven aout 2003, Pierre Meters. s’est donne los angeles mort dans boy appartement de- los angeles rue Saint-Maur. Apres us sejour durante hopital psychiatrique, il tenta de trouver ce sang» (18). The crisis is their, without a doubt; however it is maybe not their by yourself. For it affects this new narrator too. She imagines you to she sees your, annually and a half just after their passing, taking walks to the much financial of Adour (18). She recalls looking at the her buddy’s dead human anatomy, a human anatomy suddenly made «transparent» by demise (50). She says that Pierre Yards. ended up being an author, which at night prior to he the time committing suicide the guy typed concerning extremely problem out-of creating (42). Contemplating their death, there is at least one matter your narrator recognizes really demonstrably in reality: «J’ai vu, tangible, ma mort» (18). In short, the latest narrator discovers by herself mirrored for the Pierre Meters., with his distress is during specific sense an echo off their very own.

In the reflecting on which character and his role from the book, around three factors need getting detailed. Basic, Cosnay invites their audience to compare the couple that narrator and that child mode to the pair written of the Bram van Velde and Marthe Arnaud-Kuntz. It’s a matter of appeal definitely, as well as the choices attendant abreast of diegetic prominencing; but it is as well as likely right up in the complications that narrator knowledge when you look at the viewing herself and her disease, problems one to gets extremely conspicuous regarding mirror scenes. Je n’ai rien dit de- lui, quand le n’est jamais qu’il fait le trip de l’ensemble des villes suivant le ruban de l’eau entre les rues etroites et bien contournant les grandes epingles de l’ensemble des vastes surfaces bleues surmontees d’un pont inattendue, rouge, placed ainsi que ancien, qui forme de l’ensemble des arcs sous Niche dating free quoi vont les peniches» (29). Constantly for the motion, never fixed, the man is just as difficult to grab as the Adour in itself. But really just like that river he uses up a privileged, main lay, in the fresh new narrator’s real life as well as in one she imagines. Finally, so it son suits the latest narrator while the a question of reference, allowing the lady to place her very own subjectivity into the take to: «Que lui (l’aime, l’autre) soit objet ainsi que bien que je ce sois: meme tentation d’incertitude, flottement d’identite» (61). You to craft makes up about a great amount of what the results are within this book, together with narrator’s problems is patently one of the lenses by way of which Marie Cosnay invites us to echo abreast of chagrin additionally the individuals shapes it goes in.

Cosnay underscores over and over the problem of your interactions of the picture and term, which situation subtends the majority of what Villa Chagrin has to state throughout the ways and its spends. «Je vais venir, j’y viens,» she assures united states, «An excellent mon sujet, au area d’incidence» (51), and you can undoubtedly one of many points that identity designates is actually a good website in which the verbal additionally the visual see and you may meld, as perform the currents inside a lake. It is an internet site you to definitely stays just over the opinions, constantly deferred rather than a little hit. On passage regarding visualize to help you word–or out-of keyword in order to photo, for that matter–will never be achieved into the an entirely satisfactory manner, predicated on Cosnay, was overall you’ll.

The new parable one Cosnay images here has plenty to say concerning techniques you to definitely she deploys inside her unique, of these processes is seriously bound right up on concept of new look. On section of House Chagrin called «Photo dos,» Cosnay also provides a different parable established upon the fresh photographic visualize, explicitly and you can overtly casting they this time in the structure from a narrative, because narrative. «Il y avait cette histoire de- l’autre image,» states this new narrator, «et de quelque picture you’ll be able to, vue level l’autre, une fois, superbement. [. ] Los angeles pictures parfaite de toute femme appropriate, belle, blanche, reconnaissable, de- sexe et de cheveux prouvait qu’enfin quelque chosen avait ete visible» (48). You to definitely visualize was an effective foundational one to to possess Villa Chagrin insofar once the it catches the principal web site of one’s novel’s topography. It is innocent sufficient, since the photo go, however it is subtended–a little literally in cases like this–of the most other pictures that will be a great deal more annoying:

(13.) Discover like «Le fifteen novembre je suis malade, avec des reves apeures de- break up puis de- victoire finale qui, dentro de fin de- path, rendent bravery. Los angeles question precise concerne los angeles and bonne qualite, los angeles and grande certitude de l’ensemble des instances que l’on ne voit jamais» (9); «Le suc du corps n’est including, dirait Ovide. Il soit l’image an effective tirer de- cela, les lignes a beneficial voir derriere ce qu’on ne voit jamais» (38); and you will «En ce qui concerne chacune des lettres de- dessine ce qu’on ne voit jamais» (73).

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